The projection of the light highlights an unmade bed in the absence of bodies. It projects light onto an open bed. On the upper right corner, there is a window enclosed by bars, as if the light was shared with some kind of censorship. There are red pillars typical of a bed over 200 years old, built of solid wood that introduces us to the painting and welcomes us to the bed. This painting is like a face that looks at us suspiciously.
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